In this episode, I discuss AI, authors' rights, and the concept of Artificial Surrealism with Artha Dermawan, a PhD candidate at the University of Lapland in Finland.
Acknowledgements: Artha's research is funded by the Max Planck Institute for Innovation and Competition in Germany.
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Cited work
- Dermawan, A. (2024). 'Artificial Surrealism and Authors' Rights'. Santander Art and Culture Law Review (Forthcoming in 2025) and Max Planck Institute for Innovation and Competition Research Paper. https://doi.org/10.2139/ssrn.4874322
- Elon Magazine
- Longpre, S. et al. (2024) 'The Data Provenance Initiative'. https://doi.org/10.48550/arXiv.2310.16787
- Klaus Goldhammer, et al. (2023) ‘AI and Music', a Goldmedia Report Commissioned by GEMA and Sacem (p. 88). Market Development of AI in the Music Sector and Impact on Music Authors and Creators in Germany and France.
- The Design and Artists Copyright Society - DACS (2024) ‘Artificial Intelligence and Artists’ Work (A Survey of Artists on AI)’ (pp. 5-29).
- The paper from Nature you cited at the beginning: Longpre, S. et al. (2024) 'A Large-Scale Audit of Dataset Licensing and Attribution in AI' (Nature Machine Intelligence). https://doi.org/10.48550/arXiv.2310.16787
- Music opera performance using AI
Version: 20241125
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